About

My blog has quite a lot of posts about Samuel West (Julius Caesar, On Chesil Beach and Darkest Hour) and Charles Edwards (My Fair Lady Australian tour and Henry IX).

Showing posts with label film. Show all posts
Showing posts with label film. Show all posts

Tuesday, 17 October 2017

Samuel West - Hamlet, Present Laughter, The Acting Class documentary, On Chesil Beach

A mix of upcoming broadcasts and events, covering Shakespeare, Noel Coward, socioeconomic issues and Ian McEwan.

Sam will contribute a Facebook Live about Hamlet from Glyndebourne this Thursday at 12.30pm GMT (via their Twitter).
In March, he and tenor Allan Clayton discussed the play in a podcast. Clayton played the eponymous character in the premiere production of a new opera version by Brett Dean. Sam has two connections with the play: he played Hamlet for the Royal Shakespeare Company 2001-2002 and directed an RSC fringe production in 2000.

Present Laughter is repeated on BBC Radio 4 Extra this Saturday. It was originally broadcast in 2013. Sam stars as Garry Essendine; he later played the character on stage in 2016.
Small tangent - other characters that he has played both on the radio and on stage:
Sam will contribute to a post screening discussion for The Acting Class, a documentary about challenges faced by actors from working class backgrounds. The screening is next Monday at the Lexi Cinema (via the film's Twitter).

On Chesil Beach will have its Australian premiere at the Cunard British Film Festival. Screenings are in capital cities between 28 October and 12 November.

Sunday, 12 March 2017

Samuel West - Words and Music, British Library recital, Elgar, showreel

Sam and Kim Gerard are the readers for Words and Music "The Speed of Life". It will be broadcast 19 March from a pop up studio at the BBC Radio 3 Free Thinking Festival at Sage Gateshead (BBC Media Centre).

He will read from works by Keats, Goethe and Balzac at "Music and poetry from the Zweig Collection". This recital will be held at the British Library on 20 March; click here for tickets.

He played Edward Elgar in Beyond the Score: Elgar's Engima Variations on 11 March. A couple of tweets about the performance:


Sam narrates the audiobook of Forces of Nature by Brian Cox and Andrew Cohen. It was released 9 March. Click here for an excerpt (via Sam's Twitter, @exitthelemming).

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Sam's showreel has been added to his profile on the United Agents website. It features clips from Hyde Park on Hudson, Eternal Law, Albert Schweitzer, W1A, Jonathan Strange and Mr Norrell, Waking the Dead, Cambridge Spies, A Feast at Midnight, Fleming and The Complete Walk: Much Ado About Nothing.





He features in a video by the Marlowe Theatre, talking about why the arts matter to everyone (via @artscampaign).

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In early March, Sam discussed stamp collecting in the Financial Times. It has been a long term hobby for him - he has collected stamps since he was five. Stamps in his collection include over two hundred Two Shilling Blues and a series of stamped letters commemorating the coronation of George VI in 1937.

In mid February, he attended the press night for the West End transfer of Travesties at the Apollo Theatre. Pictures from the night are at wooller.com. The play is by Tom Stoppard, directed by Patrick Marber and stars Tom Hollander.
He spoke at the launch of the "They're Your Rights: Fight For Them" report - an event by 89up and Free Word. The report is about protecting human rights post-Brexit (@exitthelemming). A video from the event is on Facebook. Sam's speech is from 42:40.

Sunday, 29 January 2017

Samuel West - In Seven Days, Forces of Nature, If This Is A Man, Darkest Hour, Article 50

On 1st February, Sam and Zoë Martlew will discuss In Seven Days by Thomas Adès in a perfomance at the Royal Festival Hall. In the first half, Sam and Zoë will guide the audience through the work and the work will be performed in full by the London Sinfonietta, Rolf Hind and the Royal Academy of Music Manson Ensemble in the second half (via Zoë's Twitter @zkm555). Click here for tickets.

He has recorded the audiobook version of Forces of Nature by Brian Cox (Sam's Twitter, @exitthelemming).

On 30 April, Sam will contribute to a live reading of Primo Levi's If This Is A Man at the Royal Festival Hall.

Sam plays Anthony Eden in Darkest Hour, a film starring Gary Oldman as Winston Churchill. Joe Wright directs. Here is a selection of his tweets from filming:
Darkest Hour will be released in November this year.

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Sam has written a recommendation on behalf of the National Campaign for the Arts (NCA) regarding Article 50. He has suggested that arts supporters write to their MPs with conditions such as allowing EU nationals currently employed in the UK to stay after Britain has left the EU and Higher Education to continue accessing  EU funds (NCA via their Twitter @artscampaign).

In early January, he narrated the Channel 4 documentary Titanic: The New Evidence (@exitthelemming).

Friday, 30 December 2016

Samuel West - current radio, On Chesil Beach, projects and media October-December


Words and Music "Greeneland", with readings by Sam and Romola Garai, was repeated on Wednesday. It is available on iPlayer for 28 more days.

Sam plays Albert Tiermann in Doctor Who Demon Quest: A Shard of Ice, which is available on iPlayer for approximately three more weeks (part 1|part 2).

Sam plays Geoffrey Ponting in the film adaptation of On Chesil Beach. He started filming in early November. The cast includes Saoirse Ronan, Anne-Marie Duff and Emily Watson. The director is Dominic Cooke, who previously directed Sam in The Hollow Crown: Henry VI (his Twitter @exitthelemming and IMDB).


December

He is featured in a Guardian article about the Moomin exhibition Adventures in Moominland (until 23 April) at Royal Festival Hall:
The Moomins have many fans, including the actor Samuel West, who said he had felt at home in Jansson’s Moominvalley since he was seven.
“The sensuous melancholy, the odd cast and the wisdom of the worldview fascinates me,” he said. “This new exhibition captures both the textures and the emotions of Moominland, and the way ordinary things are transformed into magical strangeness by Jansson’s joyful sideways look.”

On 14 December, Jane Asher, Jenni Falconer, Guy Henry, Sir Richard Stilgoe, Claire Harman and Sam read at the Home-Start Wandsworth carol service in St Anne's church. A picture of them is here.
The organisation is a charity that supports families with young children under the age of five.

Sam and his partner Laura Wade went to the Evening Standard Film Awards (tweets from @exitthelemming 1|2 and pictures from Getty 1|2|3|4). Winners included Hugh Grant and Kate Beckinsale.

In early December, Sam wrote a tribute about the late Andrew Sachs for the Telegraph. Sachs worked with Sam's mother Prunella Scales on Fawlty Towers.


November

Kate Duchêne, Hattie Morahan, Giles Terera and Sam were the readers for A Poem For Every Night of the Year, a performance at the National Theatre. An audio recording of the event is available on the NT's website.

He narrated Babar (Poulenc) and Peter and the Wolf (Prokofiev) at the Bath Mozartfest, with Tim Horton on piano (@exitthelemming).



October

The BBC Radio 3 website has a clip of Sam reading the text of "Alleluia! A new work is come on hand", the text for the 2016 Radio 3 Carol Competition. The competition was for amateur composers to create music for this text. Jessie Reeves was the winner and her composition was broadcast throughout the Christmas weekend.
The third and final series of Blood, Sex and Money was broadcast on BBC Radio 4 in October. Sam played Aristide Rougon in the episodes "Crash", "Massacre" and "Fate".
Sam reads lyrics from Bob Dylan's "Blowin' in the wind" in this clip (from 0:58). The reading was featured in a BBC Radio 4 PM story about Dylan receiving the Nobel prize for literature.

The National Campaign for the Arts has relaunched with two campaigns: Local Heroes and Hearts for the Arts (The Stage). Sam is the chair of the organisation. Local Heroes highlights the role of cultural institutions in shaping the careers of people before they became famous - refer to the Campaign's website for details on how to submit nominations. Hearts for the Arts is an annual award for "councils and individual officers and Councillors who are overcoming financial challenges to ensure the arts are at the centre of community life."

Good Chance Theatre staged "Last Chance", a reading of the Dublin III Regulation at the Young Vic on 20 October (via the Evening Standard).The reading was a plea for the unaccompanied children of the Calais jungle camp. Readers included Carey Mulligan, Juliet Stevenson, Sam and Good Chance co founders Joe Robertson and Joe Murphy.

Sunday, 4 September 2016

Samuel West - White Rabbit Red Rabbit, Aurora Orchestra performances, All the World's a Stage

On Friday, Sam performed White Rabbit Red Rabbit by Nassim Soleimanpour at the Freedom Festival in Hull. The work is a 1 person performance with no director. He saw the script for the first time when on stage (@HullTruck).


Some tweets from audience members:







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In October, he will perform Kreutzer vs Kreutzer with the Aurora Orchestra at St George's Bristol on 2 October and at the Royal Festival Hall on 9 October.

He narrates All the World's a Stage, a short film which will be screened at the Norwich film festival in November.

In December 2017, he will read from Mozart's letters in a concert with the Aurora Orchestra.

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A selection of articles, projects and events from the past few months is below.

May
Sam played Aristide in the episode "Family" from the series Blood, Sex and Money, which is a Zola adaptation.

He read the CBeebies Bedtime Story The Bear and the Piano (via @dc_litchfield).

He narrated Best Bottoms, a documentary about a production of A Midsummer Night's Dream co-produced by the RSC and various amateur companies. It was broadcast 20 May on BBC1 (via @johnchapman398 and @edbarlow888).

He is the narrator for the audiobook of Human Universe by Brian Cox. Click here for an excerpt (@harperaudiouk).

June
He commented positively on a Scottish theatre scheme that aims for primary school students to see at least one live performance a year, "Children's engagement is crucial if we are going to develop the diverse range of artists and audiences we need for the future." (The Stage).

July
Sam read the Book at Bedtime The Third Man.

He contributed to a Front Row discussion, "The Cultural Response to Brexit" - this is available on iPlayer.

In The Stage, he warned that higher drama school fees would price out potential students, "At the moment we teach rich, talented students and poor, talented students. If fees continue to increase, soon we'll be teaching rich, talented students and rich, untalented students."

Sunday, 10 April 2016

Charles Edwards - Blithe Spirit, Florence Foster Jenkins and radio repeats

Next Monday (18 April), Charles and director Michael Blakemore will introduce a screening of Blithe Spirit at the V&A. Charles starred as Charles Condimine in the production, which played at the Gielgud Theatre in 2014.

Florence Foster Jenkins will close the Belfast Film Festival on 23 April (via cineuropa). It will be released in the UK on 6 May and Australia on 5 May. Click here for the film's teaser trailer.

Silk: The Clerks Room "Bethany" will be repeated on BBC Radio 4 next Tuesday (12 April). Charles plays Mr Lewis in this episode.
Series 2 of Welcome To Our Village, Please Invade Carefully will be repeated on BBC Radio 4 Extra from next Wednesday (13 April). Charles stars as Field Commander Uljabaan.

Saturday, 19 March 2016

Samuel West - The Complete Walk, Bush Theatre, CBeebies Bedtime Stories, Shakespeare Solos

Sam and Katherine Parkinson play Benedick and Beatrice from Much Ado About Nothing for The Globe's The Complete Walk (23-24 April). The film, directed by Jessica Swale, was shot in Sicily (Sam's Twitter, @exitthelemming 1|2 and Swale's Twitter, @jswale).

The screencap above is from his recent reading of Angry Arthur on CBeebies Bedtime Stories.

My Storify for the West is Best quiz (Bush Theatre, 2 March) is below. Dominic West hosted and Sam wrote the questions for it.
@RussShaw1, @bushtheatre, @Jon_Gilchrist and sponsor @PhilipWooller tweeted photos from the event. The quiz had "top lols" (@AineSays) and Sam was described as a "fabulous host" (@GabyStyles_ENB) and a "quizmaster par excellence" (@minofprojects).

Here are screencaps from the Shakespeare Solo film featuring Sam as Henry V:

Tuesday, 23 February 2016

Samuel West - Essential Classics, The Book of Disquiet, The Somme Remembered

Sam is the guest on Essential Classics on BBC Radio 3 this week, 10am Monday to Friday. 

The London Sinfonietta posted a Q&A with Sam on their blog last week (their Twitter, @ldn_sinfonietta). He will perform The Book of Disquiet with them at the Coronet Theatre this Wednesday and Thursday.

Sam wrote the questions for the Bush Theatre Quiz, "West is Best". The event will be hosted by Dominic West on 2 March (via the theatre's Twitter, @bushtheatre).

The Yehudi Menuhin School has released details for Shakespeare and Music - he is the narrator for this concert at The Menuhin Hall on 10 July (page 7 of this pdf).

Kreutzer vs Kreutzer will be performed at the Royal Festival Hall on 9 October, with the Aurora Orchestra, Katherine Parkinson and Sam (page 4 of this pdf). They previously performed the work at The Globe last year.

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Last week, he donated plays to The Mono Box, which will be used in their Speech Surgery on 13 March (their Twitter, @TheMonoBox).

He was the reader for The Somme Remembered, which was broadcast 11 February on BBC Radio 3. It will be available on iPlayer for 19 more days.
BBC Singers tweeted a picture from the concert.

An Ancient Music by Judith Bingham was performed at the concert. She tweeted,

Here are further positive tweets about the performance.







Sam and his partner Laura Wade attended the Evening Standard Film Awards (7 February). Getty Images has a picture of them at the after party.

He discussed Mr Selfridge on Good Morning Britain on 4 February. Here are screencaps from his interview.

Tuesday, 26 January 2016

Diversity: Idris Elba, BAME Shakespeare, Act for Change, #oscarssowhite

"I read a script, it says, 'Black man, tall. And then it says, leading man.' I'm like, what? What colour's he? Blue?"
A quote from a New York Times video interview with Idris Elba. This is the accompanying screencap:

Idris spoke to Parliament about diversity in the media, ahead of the Channel 4 diversity conference. The transcript is here and the video is here. His recommendations for improving diversity are:
  1. Incorporating diversity at the beginning of the creative process
  2. Measuring how well broadcasters do diversity
  3. Take more risk with diverse talent

The Independent has an interview with Femi Oguns, who suggests that quotas are a starting point for achieving proportional representation of diversity in the performing arts (via @IGottaBeMeMovie):
"Fourteen per cent of the population is BAME but only five per cent of talent on screen is. The BBC is just ticking boxes. It has an ‘aspiration’ for 15 per cent of BAME screen talent by 2017 – why not just make it happen? Why are black directors in theatre only qualified to direct ‘culturally specific’ works? Theatre is still dominated by white middle-class decision-makers who are qualified not only to tell their life stories but over-qualified to tell yours also."
Oguns is the founder of the Identity School of Acting and the Identity Agency Group.

Samuel West's speech for the UK Disability History Month Conference (November 2015) is available on Youtube. He has suggested, "We look to every producer to be more imaginative. Nobody really knows what the public wants, so don't try to gainsay it. Make the best thing you can and make it as open and diverse as possible." (via @zakfordwilliams).

Act for Change has become a registered charity (their Twitter, @actforchangehq). Donations will fund:


The University of Warwick has launched an online database that documents BAME participation and representation in Shakespeare productions (@BBAShakespeare via a retweet from Act for Change). Although productions have become more multicultural, BAME performers are more likely to be cast in supporting roles such as a witch in Macbeth; Laertes, Ophelia, Horatio, Guildenstern and Rosencrantz in Hamlet; or Hero and Claudio in Much Ado About Nothing.

Excerpt from a New York Times discussion about #oscarssowhite:
A.O. Scott: Spike Lee will get his lifetime achievement award. Chris Rock will be the host. Many of the presenters will be minorities. Integrally close to none of the winners will be. There will be awkward remarks and uncomfortable smiles. The intensity of the discomfort might be a hopeful sign.

In relation to Idris Elba's recent speech about diversity and #oscarssowhite, an article in the Sydney Morning Herald ("White wash" in the print edition, "Oz so white?" in the online edition) suggests that Australian performing arts is not representative of the community. The federal government and broadcasters have supported Indigenous and gender equity programs, however more needs to be done to represent cultural diversity.
Producer Darren Dale: "When you walk down the street, our community is so diverse, and I don't think you can see that on Australian drama at all... there's a healthy expectation that you should see yourself [represented] on screen."
Bali Padda (co-chair, MEAA diversity committee): "If we don't have a diverse range of people creating stories – writers, producers and directors – then the characters written for the Indian or Middle Eastern or whatever becomes a bit tokenistic. And that's not representative either... My personal measure of success is that we won't need to have these kinds of conversations again [emphasis added]."

Monday, 4 January 2016

Diversity: I Gotta Be Me, Noma Dumezweni, ACE funding, film criticism


I Gotta Be Me is a 'real' documentary about Paul Shah, an actor playing Sammy Davis Jr in a tribute show. Phaldut Sharma plays Shah and is a co-creator for this web series. Click here for his thoughts on major themes in the series - diversity and identity.
Episodes 1-3 are now available; new episodes will be released in February (I found out about this web series because they mentioned me on Twitter).

Noma Dumezweni has been profiled in this article in the Independent about British immigrant contributions to the arts, science, food, fashion and sport (via her Twitter, @MissDumezweni). She stars in Linda at the Royal Court, which closes this Saturday. Her next project is her directorial debut - I See You, also at the Royal Court.

Malcolm Sinclair (president of Equity) spoke about increasing BME representation on screen and stage at the WhatsOnStage Awards nominations launch in December (The Stage via Act for Change's Twitter, @actforchangehq):
"All parts should now be available, rather than just the ones that are designated ‘ethnic’ parts... you have to call the people that actually make the decisions to account, which is the producers and directors."

Last month, Arts Council England released a report about diversity relating to workforce, programming, audiences and funding (via The Stage). It is based on data from 2012-2015. Its publication coincided with the announcement of four funding programs to lift BAME (black and minority ethnic) and disabled investment and development:
  • Change Makers - a leadership program
  • Unlimited - a single grant of £1.8 million will be made to an organisation to develop a range of new work by Deaf and disabled artists
  • Sustained Theatre - this is for emerging and established practitioners to increase BAME representation across the theatre sector
  • Elevate - this is for diverse-led organisations outside of the Council’s National Portfolio


The Atlantic has an article about the gender imbalance in film criticism (via Lucy Prebble's Twitter, @lucyprebblish). For example, in four US film critics' assocations, women make up less than a quarter of members. The article suggests that the recent drop in film criticism by women is related to the rise of digital.

Sunday, 29 November 2015

A selection of recent articles about cultural, socioeconomic and gender diversity

... in the entertainment industries in the US, the UK and Australia.

In the New York Times, Aziz Ansari has written about the disproportionate representation of characters with a range of ethnicities:
"whatever progress toward diversity we are making, the percentage of minorities playing lead roles is still painfully low... at a time when minorities account for almost 40 percent of the American population, when Hollywood wants an “everyman,” what it really wants is a straight white guy. But a straight white guy is not every man."
Click here to read his article in full (via Act for Change's Twitter, @actforchangehq).

Asian American actors performed some of their dream roles from musical theatre in the Changing the Stats: Asian Americans on Broadway concert (2 November, Symphony Space). Playbill has a compilation of clips from the performance. The concert was co-sponsored by the Actors' Equity Association. Christine Toy Johnson, chair of the Association's Equal Employment Opportunity Committee, said that the "concert of dream roles not traditionally cast with Asian American actors was a true celebration and extension of our tenacity in achieving more and more."

Daniel Wu (Into the Badlands) discusses his career and how Asian characters are represented on screen, in an interview on Slate (via @monkeywonder's retweet). An excerpt:
You didn’t think about trying to come back and make it in Hollywood?
"I knew from growing up that they wouldn’t put my kind of people onscreen. There were no decent roles for Asians, much less Asian males. Even when Jackie Chan broke through over here and people fell in love with him, they weren’t really seeing him as this iconic, superstar actor—they were seeing him as this cute, funny oriental dude who spoke broken English and did acrobatic tricks. As an Asian American male, what they were in love with is everything you hate, you know?"

The Guardian partnered with an academic research team to launch a survey about diversity in the creative industries in the UK (via Samuel West's Twitter, @exitthelemming). The key findings are:
  • At least 75% of people working in the arts have a middle class background, which suggests that it is difficult for people who don't have this financial privilege to break into these industries.
  • White and BAME (black and minority ethnic) arts employees have relatively disparate views on ethnicity. 29% of BAME respondents to the survey believed that ethnicity is very important in getting ahead, compared to 10% of white respondents.
  • On average, women earn 32% less than men
More results have been published on createlondon.org

The Australian Directors Guild has proposed a quota for Screen Australia: to allocate 50% of production funding to projects directed by women. The Guild has called on support from government agencies and the ABC (the Australian Broadcasting Corporation) to support this initiative (the Guild's press release).
Thanks to Maddy, who is co-creator of Those Two Duffers.

Friday, 6 November 2015

Samuel West - After Shakespeare and Philip French

Sam will read from Hamlet at After Shakespeare (D'apres Shakespeare), a concert by the Orchestra of the Opera Rouen Normandie (Opéra de Rouen Normandie via their Twitter @operaderouen). The concert is on 20 November at the Théâtre des Arts.
All works in the program are Shakespeare-themed: incidental music for King Lear by Claude Debussy, The Magic Island by William Alwyn is inspired by The Tempest, King Lear Overture by Hector Berlioz and Hamlet: A Shakespeare Scenario by William Walton.

He contributed to an article in the Observer about the late Philip French (via his Twitter, @exitthelemming).

Sunday, 11 October 2015

Samuel West - Suffragette, Young Chekhov, The Frankenstein Chronicles

Sam and his partner Laura Wade went to the Suffragette UK premiere at the London Film Festival on Wednesday. He has a "small and cross" part in the film. Pictures from the premiere can be viewed at Rex Features and Getty.

He tweeted a picture of the Young Chekhov schedule for last Saturday - all three plays were performed in one day. @AgricolaTheatre, @DanielHermie, @elle_ess, @BazBam (Baz Bamigboye) and @deborahbonham have tweeted their thoughts on Ivanov and The Seagull. These tweets have been added to this Storify:

The Frankenstein Chronicles will be broadcast in the US on A&E (Entertainment Weekly).

Monday, 5 October 2015

Creative Industries Federation diversity report

The Creative Industries Federation has released a report about diversity. The report, which was produced in partnership with MOBO, shares views expressed by Act for Change.*

The Federation held a launch for the report at the BFI last Monday. Eliza Easton, the author of the report and CEO John Kampfner spoke at the event, as well as Kanya King (CEO of MOBO), David Oyelowo and Ed Vaizey (Minister of State for Culture, Communications and Creative Industries).
The Guardian has published excerpts from Oyelowo's speech. Other media coverage includes an article by King in the Huffington Post and an interview with King and Kampfner on Front Row (begins at 6:45).

The report focuses on Black, Asian & Minority Ethnic (BAME), women and socioeconomic background as factors contributing to workplace diversity (p. 4). Its principal recommendations are in the following areas (pp. 19, 21, 24, 28):
  • Recruitment. Develop a hiring strategy to attract a wider range of candidates.
  • Content. Produce content that reflects a diverse society. For instance, programming and commissioning works that represent a range of narratives. In terms of personnel, creative industry organisations "should reflect the society that consumes their products." This has an effect on economic outcomes: the report cites research by McKinsey which suggests that companies in the top quartile for ethnicity and gender diversity were more likely to generate at least 15% financial returns above their respective national industry medians (pp. 13-14).
  • Strategy. Conduct an audit to determine the current diversity status of an organisation and take action accordingly. Areas to consider are employment conditions, attitudes and branding. Are there pay gaps when comparing by gender or ethnicity? Do employees require training to recognise conscious and unconscious biases? Does an organisation have diversity as part of its overall vision?

Case studies from organisations such as a production company, communications consultancy and charities show practical applications of these recommendations. What remains to be seen is if other organisations, especially members of the Federation, can also demonstrate a similar commitment to improving and maintaining levels of diversity. Perhaps these outcomes will be addressed in a current partnership - the Federation is working with McKinsey on a project that relates workforce diversity to financial performance (p. 14).

Act for Change is listed in the report's organisational directory (p. 36). Their manifesto intersects with the recommendations in the report: developing a recruiting strategy to obtain a variety of candidates, representing diversity in content and monitoring levels of diversity:
  • Recruitment. "By 2016, to secure a revision to the Ofcom Broadcasting Code requiring production companies to audition at least one BAME actor for every leading role, unless an occupational requirement applies. Where an occupational requirement exists the production company must set out, in the casting breakdown, the legitimate aim it hopes to achieve by limiting the role to one racial group."
  • Content. "By 2016, to ensure an additional Ofcom standards objective requiring the broadcasting regulator to secure “that the content of television and radio programmes reflects the identity, character and cultural diversity of the UK.”"
  • Strategy. "By the end of 2015, to establish an independent body which monitors the diversity levels of those working in TV Drama (both behind and in front of the camera) on an annual basis."

Another common factor between the Federation's report and Act for Change's manifesto is a psychological one. Some individuals in creative organisations will need to recognise biases, whether conscious or unconscious, and adjust their attitudes accordingly. A significant challenge, but an achievable one.


* This is my second post about diversity. I am a newbie to writing about this issue - I previously wrote about Act for Change in August.

Sunday, 16 August 2015

Charles Edwards - Florence Foster Jenkins

[updated 17 August]

The film Florence Foster Jenkins is one of Charles' upcoming projects (ambitionmakesmetired via hellyescharlesedwards). It stars Meryl Streep as Jenkins and Hugh Grant as St Clair Bayfield. Jenkins was a socialite who dreamt of becoming a great opera singer and Bayfield was her manager. When Florence decided to give a public concert at Carnegie Hall in 1944, St. Clair knew he faced his greatest challenge - protecting her from the fact that her singing was actually awful (BBC Films).
Director Stephen Frears previously worked with Charles on Philomena.

Samuel West - The Iliad, Suffragette, An Oak Tree

On Friday, Sam and several other actors such as Bertie Carvel, Rory Kinnear, Tobias Menzies, Hattie Morahan, Simon Russell Beale, John Simm and Ben Whishaw, performed in a reading of The Iliad at the British Museum and at the Almeida. The performance was live streamed. A series of podcasts and a making-of film are forthcoming.

Suffragette will open this year's London Film Festival (Prolific North). Sam has described his role in the film as "small and cross" (his Twitter, @exitthelemming). Click below for screencaps of him in the trailer.

He will feature in series 3 of Great Canal Journeys (his Twitter, @exitthelemming). Meanwhile, series 1 is being repeated on Channel 4 from 15 August (Radio Times).

Sam narrates a series of videos on The Road to Agincourt website. He plays the chronicler who wrote Gesta Henrici Quinti, a work about the deeds of Henry V (via the Daily Echo).

In July, he played the Father in An Oak Tree at the National Theatre. The play is a two-hander by Tim Crouch, who plays the Hypnotist. The Father is played by a different guest actor at each performance; at the National, guest actors included John Heffernan, Samuel Barnett and Trystan Gravelle.
Sam tweeted that the play was "Beautiful, useful and never to be forgotten" and Tim tweeted that the performance was "a very special evening." Here is a selection of tweets about the performance:




In May, Sam narrated Morning Heroes by Bliss with the BBC Symphony Orchestra. Here is a review round up of the performance.

Music OMH
"Samuel West brought just the right level of philosophical pathos to the words..."

The Guardian

Seen and Heard
"Samuel West struck just the right balance of eloquence and dignity of delivery..."

The Arts Desk
"Most personal and affecting were the work’s prologue and epilogue, calling upon Sam West with subtly scored orations of Hector’s Farewell to Andromache and Owen’s Spring Offensive."

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A few days ago, We Love Hackney tweeted a picture of Sam at a campaign launch - the local council is planning to restrict opening hours of clubs and music venues.

In July, Sam received an honorary degree from the University of East Anglia (BBC). The audio from his speech is here. He also tweeted a picture of himself from the ceremony.
Voices for the Library shared a piece by Sam about why he values his local library (via their Twitter @VftL_UK).
The Southbank Centre tweeted a picture of Sam reading at a Make Apartheid History event. Excerpts from the readings have been posted on Youtube (via Artists for Palestine).


Sam participated in a march against austerity in London 20 June (@fugueur). Participants opposed public sector cuts in areas such as welfare, health and education (ABC).

Sunday, 2 August 2015

Charles Edwards - Waste at the NT and the short film Yellow Fever

Charles will play Henry Trebell in Waste at the National Theatre (via The Stage). Previews begin 3 November and press night is 10 November. It is booking until 16 January with additional performances to be announced (National Theatre press release). This will be directed by Roger Michell. His theatre credits include Rope (Almeida) and Betrayal (Donmar Warehouse).

hellyescharlesedwards posted a clip from the short film Yellow Fever (1998). Raymond Yeung directed the film, which was screened at the 1999 BFI London Lesbian and Gay Film Festival and won the Audience Award in Madrid Lesbian and Gay Film Festival (BFI player and SIFF). The film can be viewed on Frameline.




Sunday, 8 June 2014

Samuel West - readings incl. Borders Book Festival, Just So Science, Nocturne


Next Friday, Sam will speak about the 50p for Culture campaign and the Arts Index at the CLOA Annual General Meeting.

Sam will perform at the Borders Book Festival next Sunday. He will play the title role in a reading of Waverley by Sir Walter Scott. Click here for tickets.

He continues to provide readings for Just So Science. The second series begins on BBC Radio 4 on 23 June. Series 1 was broadcast in January 2013.

Sam will direct the readings at this year's Forward Prizes for Poetry. Booking is open for the ceremony, which will take place at the Queen Elizabeth Hall on 30 September.

Juliet Stevenson, Lucy Parham and Sam will perform Nocturne at the Octagon Theatre in Yeovil on 7 November.

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Thirteen won the 2014 Audie for Original Work (voices.com). The audiobook has various narrators, including Sam, Gemma Arterton and Arthur Darvill.

The video of Cold Stars Lighting is available on Youtube. Sam's readings begin at 1h 37min and 1h 58min.

Sam narrates the documentary Fabergé: A Life of its Own. It recently won awards at the Palm Beach International Film Festival, the Beverly Hills Film Festival and the Newport Beach Film Festival (United Voices).

Wednesday, 12 March 2014

Samuel West - documentary voiceovers, Creditors, Great Canal Journeys, WWI poetry

Sam narrates the BBC2 documentary I Was There: The Great War Interviews (via @UnitedVoices_). It will be broadcast this Friday at 9pm.
He reads writings by Charles Darwin for the HBO documentary Questioning Darwin. Click here for broadcast times on 15 and 19 March.

He has been cast in the film Creditors, which is based on the play by Strindberg. It will be filmed in Spain this (northern hemisphere) Spring. The production's Kickstarter campaign for post-production and publicity ends 16 March.


(Screencap from the title sequence for Great Canal Journeys. Click it for full size.)
Sam will feature in episode 2 of Great Canal Journeys next Monday, 9pm on More 4. He joins his parents for part of a journey down the Rochdale Canal. This episode was filmed in September last year.

AL Kennedy and Sam are among the readers for Cold Stars Lighting: Poetry and the First World War, an event organised by No Glory. It will take place 15 May, 7.30pm at St Giles Church (via Network for Peace).