About

My blog has quite a lot of posts about Samuel West (On Chesil Beach and Darkest Hour) and Charles Edwards (My Fair Lady Australian tour and The Halcyon).
I have also written some posts about diversity in the entertainment industry.

Sunday, 4 September 2016

Samuel West - White Rabbit Red Rabbit, Aurora Orchestra performances, All the World's a Stage

On Friday, Sam performed White Rabbit Red Rabbit by Nassim Soleimanpour at the Freedom Festival in Hull. The work is a 1 person performance with no director. He saw the script for the first time when on stage (@HullTruck).


Some tweets from audience members:







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In October, he will perform Kreutzer vs Kreutzer with the Aurora Orchestra at St George's Bristol on 2 October and at the Royal Festival Hall on 9 October.

He narrates All the World's a Stage, a short film which will be screened at the Norwich film festival in November.

In December 2017, he will read from Mozart's letters in a concert with the Aurora Orchestra.

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A selection of articles, projects and events from the past few months is below.

May
Sam played Aristide in the episode "Family" from the series Blood, Sex and Money, which is a Zola adaptation.

He read the CBeebies Bedtime Story The Bear and the Piano (via @dc_litchfield).

He narrated Best Bottoms, a documentary about a production of A Midsummer Night's Dream co-produced by the RSC and various amateur companies. It was broadcast 20 May on BBC1 (via @johnchapman398 and @edbarlow888).

He is the narrator for the audiobook of Human Universe by Brian Cox. Click here for an excerpt (@harperaudiouk).

June
He commented positively on a Scottish theatre scheme that aims for primary school students to see at least one live performance a year, "Children's engagement is crucial if we are going to develop the diverse range of artists and audiences we need for the future." (The Stage).

July
Sam read the Book at Bedtime The Third Man.

He contributed to a Front Row discussion, "The Cultural Response to Brexit" - this is available on iPlayer.

In The Stage, he warned that higher drama school fees would price out potential students, "At the moment we teach rich, talented students and poor, talented students. If fees continue to increase, soon we'll be teaching rich, talented students and rich, untalented students."

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